murali's posts with tag: carnatic
Kancherla Gopanna (c 1620 - 1680 CE), popularly known as Bhadradri Ramadasu or Bhadrachala Ramadasu(Telugu: భద్రాచల రామదాసు), was a 17th century Indian devotee of Rama and a composer of Carnatic music. He lived in the village of Nelakondapalli near Bhadrachalam, Andhra Pradesh during the 17th century and is renowned for constructing a famous temple for Rama at Bhadrachalam. His devotional lyrics to Rama are famous in Andhra Pradesh as Ramadaasu Keertanalu. | e teeruga | | bhadrachala ramadas | | balamurali | | | hari | | bhadrachala ramadas | | balamurali | | | idigo bhadradri | | bhadrachala ramadas | | balamurali | | | nanu brovamani cheppave | | bhadrachala ramadas | | balamurali | | | narayana te namonamo | | bhadrachala ramadas | | balamurali | | | pahi ramaprabho | | bhadrachala ramadas | | balamurali | | | paluke bangaramayera | | bhadrachala ramadas | | balamurali | | | ramachandra | | bhadrachala ramadas | | balamurali | | | ramachandraya | | bhadrachala ramadas | | balamurali | | | seethamma cheppavamma | | bhadrachala ramadas | | balamurali | | | tagavu teechavayya | | bhadrachala ramadas | | balamurali | | | takkuvemi manaku | | bhadrachala ramadas | | balamurali | | | taraka mantramu | | bhadrachala ramadas | | balamurali | |
Ragamalika, literally a garland of Ragas, is a very popular form of composition in Carnatic music. These are delightful compositions, where the various segments are set to different Ragas, with a smooth and melodious flow of music during the transition from one Raga to the next. The choice of Ragas, as well as the order in which they appear in a Ragamalika, are based solely on aesthetic considerations. The main point is that a feeling of abruptness or a gap should be avoided when shifting between Ragas and the flow of music should be very smooth. Also, closely allied Ragas do not generally appear in the same composition. Ideally, consecutive Ragas should possess distinct melodic character.
Maha kavi Subrahmanya Bharathi set tunes for a number of his songs, however not all of them have been recovered. Some of the songs of Bharathi that are currently very popular in the Carnatic music concert circuit include: Theeratha Vilaiyattu Pillai, Chinnanchiru Kiliye (tuned by him in Raga Bhairavi, but popularised in Ragamalika), Suttum Vizhi, Thikku Theriyaatha, Senthamizh Nadenum, and Paarukkule Nalla Naadu.
All are good songs more so of sudha,jayasree and unnikrishnan Jaya krishna mukunda- A telugu song with the following ragas,Kalyani,Arabhi,Madhyamavathi,Mohana and some yYaman too | JAYAKRISHNA MUKUNDA | | VOLUME1 | | GHANTASALA | | | Theeratha Vilaiyattu Pillai | | | | | | | Raase Hari (Raga: Ragamalika; Tala: Adi) | | Hari Hari Jayadeva Ashtapadhi | | Sudha Ragunathan | | | Balamurali krishna Orunal Ragamalika Kandhanar | | | | | | | Dikkutheriya | | | | l G.N.Balasubramaniam | | | Maharajapuram Santhanam ragamalika & Mishra Sivaranjani-surindur | | | | | | | Kurai ondrum illai by Bombay jayasree ramnath in ragamalika | | Album | | Bombay jayasree ramnath | | | Thikku Theriyadha kaatil In Ragamalika Adi by Gayatri(veena) | | Album | | Gayatri | | | Thillana in Sindhubhairavi by P.Unnikrishnan Adi--Tanjore s.kalyanaraman | | Album | | P.unnikrishnan | | | Virutham by P.Unnikrishnan in ragamalika | | Album | | P.unnikrishnan | | | Chaturbhuje- | | all in | | one | | | Kelo satcharita --Ragamalika By Maharajapuram | | | | Maharajapuram santanam | | | Teerad vilayattu pillay | | | | Lalgudi.g.jayaraman | | | Meera Bhajan In Ragamalika | | | | | | | Devakinandana-Ragamalika-T.N.Seshagopalan | | purandaradasa kritis | | T.N.Seshagopalan | | | Hayi hayiga | | Suvarna sundari | | Ghantasala and jikki | | | KuhuKuhuBoleKoyalia...raag..Sohni (Hamsanandi), Bahar (Kanada), Juanpuri (Juanpuri) and Yaman (Yamuna Kalyani) | | Suvarna Sundari | | lata and rafi | | | Ritu aaye ritu jaye | | Hamdard | | Lata Mangeshkar & Manna Dey | |
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